Andy always thought that films would be where we'd make money. — Paul Morrissey

Andy always thought that films would be where we'd make money.

Author: Paul Morrissey

Insight: There's something almost prophetic about this throwaway line from the Factory era—a moment when nobody really believed in the commercial potential of experimental film, yet here we are decades later in a world where video is the dominant currency of attention and income. Morrissey was observing something true about Andy Warhol's intuition: that the moving image would eventually become the most valuable real estate in culture. What makes this worth sitting with today is how it reveals the gap between what creative people instinctively know and what the broader world accepts as true. In the 1960s, saying you'd "make money" with film sounded almost naive when painting and sculpture were the supposedly serious mediums. Now creators understand that being seen—through film, YouTube, TikTok, whatever the format—is the actual business. The economics flipped completely, but the insight stayed the same. The less obvious part: it wasn't just about predicting technology. It was recognizing that human attention and emotional connection—what film captures uniquely well—would eventually be what people pay for. Warhol understood that before the infrastructure existed to monetize it. That's less about being lucky and more about seeing where desire actually lives.

Where attention becomes currency

Andy always thought that films would be where we'd make money.

There's something almost prophetic about this throwaway line from the Factory era—a moment when nobody really believed in the commercial potential of experimental film, yet here we are decades later in a world where video is the dominant currency of attention and income. Morrissey was observing something true about Andy Warhol's intuition: that the moving image would eventually become the most valuable real estate in culture.

What makes this worth sitting with today is how it reveals the gap between what creative people instinctively know and what the broader world accepts as true. In the 1960s, saying you'd "make money" with film sounded almost naive when painting and sculpture were the supposedly serious mediums. Now creators understand that being seen—through film, YouTube, TikTok, whatever the format—is the actual business. The economics flipped completely, but the insight stayed the same.

The less obvious part: it wasn't just about predicting technology. It was recognizing that human attention and emotional connection—what film captures uniquely well—would eventually be what people pay for. Warhol understood that before the infrastructure existed to monetize it. That's less about being lucky and more about seeing where desire actually lives.

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Paul Morrissey

Paul Morrissey was an American filmmaker and screenwriter, best known for his collaborations with artist Andy Warhol in the 1960s and 1970s. He directed notable films such as "Flesh," "Heat," and "Chelsea Girls," which pushed the boundaries of conventional cinema and explored themes of sexuality and identity. Morrissey's work significantly influenced the underground film movement and the relationship between art and cinema.

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